One of the best benefits of traveling in company is that casually your travel buddies are excellent photographers. My friend Lichix took this photo of me in Esfahan while visiting the stunning Masjed-e Jameh Mosque, the biggest mosque in Iran and the pioneer of Islamic architecture.
With this post I’m opening a thread of How-To posts dedicated on how to take beautiful pictures in places where the camera is not very welcome. Stay tuned! 🙂
Discovering origins can really surprise us, just like when the Romans invented the bikini or else they took and made it famous (we Italians are known for taking existing inventions and improve them, like coffee, pizza and pasta, no argument on this 🙂 ). This is another new segment I dedicate to the Persian contribution to modern languages.
Pijama comes from the Persian pai jameh (پايجامه), which means ‘Leg Clothing’.
Originally only used by men who did not wish to go to bed naked, usually composed by two pieces: a top part and a bottom part, looking very much like loose trousers. Higher ranking men also used a one-piece pai jameh.
It must have been very comfortable and chic. By the 18th century the use of pijamas was already widespread, making the ‘Persian loose pants’ a unique trade mark. It quickly displaced the old fashioned night-garment, a one-piece of heavy wool or velvet that stretched to the feet, prompting the use of linen instead.
could you believe that so many words came from old Persian language?
This time I will enlighten you about the word Assassin.
Commonly mistaken as an Arabic word, Assassin as we know it comes from old Persian hashashin (حشاشین), originated in the Alamut region of Iran. It has nothing to do with modern ‘hashish’.
The Assassins were a much-feared fighting group in the late 11th century. But what was their origin? And what did their name mean?
An assassin was a ‘person who was energised to kill’ on the account of the king.
When a king or high hierarchy old man wished to kill someone, he would enlist a young man and promise him a return to Paradise if he entered his service and followed his instructions or even died in his service. The first man to ever do so was Hassan-i Sabbah, founder of Alamut. He trained men to become highly deathly weapons to use against his enemies. Some modern Muslims believed he would drug these young men in order to subject them, but let’s see what happened…
If you read Hassan-i’s accounts and the many tales of Marco Polo, you can easily understand that Hashash was not a substance used to drug people. Here is why:
The word hashashin was phonetically very close to the Muslim hash-ishiyun, which means “hashish-smokers”; some scholars thought that this was the origin of the word “assassin”, which later became a terrifying word in most European languages…
However, dear Reader, the truth is quite another. According to texts that have come down to us from Alamut, Hassan-i Sabbah liked to call his disciples Asasiyun, which in Persian means ‘people who are faithful to the Asās’, meaning “foundation” of the faith.
This is the word that so often is misunderstood by many foreign travellers as its sound is so similar to “hashish”, the substance that many people enjoy consuming.
Paradise is Persian. An old Persian word that comes from an Old Iranian *pardis- “walled enclosure”.
By around the sixth century though, Persians started to associate the idea of Paradise with cooling and refreshing gardens due to the obvious high summer temperatures, so Paradise quickly found a beautiful graphic association.
And truly, Persian gardens are something unique. These are mostly royal parks where rulers (mostly kings and shahs) spent their time escaping hot summer (and Paradise could not be more appropriate due to the intense Iranian summers), entertaining foreign guests or simply spending family time away from political duties.
Because of the desert predominance in the country, it was vital to find a way to preserve water and create oasis of fresh air. In fact, dear Reader, Iranians (or Persians) are famous for pioneering a number of engineering projects in the world and one of these is precisely the invention of ventilation towers, else known as wind catchers.
The invention proved to be highly efficient in terms of sustainability and economic costs, so it comes to no surprise that the method was soon adopted and implemented in many other countries in the Middle-East.
Wind towers or wind catchers are traditional Iranian architectural invention built to provide natural ventilation for buildings that are located in dry arid regions. The structure normally looks like the picture above, where the structure conducts the outside air into the building to provide cooling. Wind or no wind, the airflow is generated with the temperature difference between outside and inside the building
The interior of the pavilion is superb, with intricate latticework and exquisite stained-glass windows.
one of the things that I found amusing in Iran is that almost all the signs of shops, hotels, bars, restaurants, are super lit up with neon-lit signs. Traditional towns such as Yazd become incredibly cheerful at night time…
This picture portrays what I found to be the most beautiful mosque dome I have ever seen: the peacock dome of the Masjed-e Sheikh Lotfollah Mosque, in Esfahan, Iran.
So beautiful and wonderfully coloured, I think is one of the domes I spent more time staring at… Notice the peacock-themed patterns in blue and yellow motifs?
In the millennial Persian culture, symbols have endured and carried on their legacy in present times even when Persia underwent major and different political and religious regimes. Throughout history, the ancient Persian symbols have always been magnificent, mystic and ever present. The fact that these symbols are used all over the country signifies the importance of these over time…
The peacockpeacock is one of the most culturally significant birds in Iranian culture; it appears in art and poetry from the Medieval period onwards with great regularity.
Most literature regards the blue peacock being of Indian origins, others link it to the Greeks, however, in Persepolis I also found that blue peacock images might have been originated in the area in Achaemenid time.
Either way, for all them the blue peacock was a symbol of immortality because the ancients believed that the peacock had flesh that did not decay after death.
Since the bird changes and replaces its feathers every year, it also came to be a symbol of renewal and resurrection. For the Imams, this was meant to represent the ever presence of their prophet Alí. And finally, with the Qajar era, the peacock also symbolised royalty and power.