How to take Photos with your Mobile

Dear Reader,

It’s time to learn something new today 🙂
Experience teaches us a lot, especially when we’re on the road. Nothing makes a story more beautiful and interesting than colourful eye-catching photos taken on the go.
Most of us travellers rely on good cameras with settings. However, as we travel and share instant snaps on our blog or social media, we often recur to smartphones. You need to be able to use your smartphone well, especially if you go to places where cameras are either not welcome or you don’t have time to set up your regular camera. Smartphones are more conspicuous and with technology that allow us to do wonderful things.

So here are few tips I learnt myself 🙂

Think Mobile

Before using a picture, look at it on your smartphone and ensure your main subject is clear and any writing, such as a sign, is legible. Keep in mind that most people will check your photos and articles from their phones so make your shots mobile friendly and neat.

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If you’re able to read the 007 commemorative sign then it’s a successful mobile-friendly photo

Keep it Simple

I learnt that my most popular photos are the simplest ones. They don’t have many people in them, multiple props, and complicated staging. The most effective images so far have been those with simple subjects, such as a close-up of a situation, object, person or even buildings.

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Play with Light and Shadow

Both Samsung (S7 series) and iPhones allow you to adjust the lighting by simply tapping on the screen so pay attention to your scene’s lighting. Bright light and deep shadows create a stark contrast that can make your photo more interesting and dramatic.

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Natural light inside the peacock dome
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The Masjed-e Jāmé of Isfahan was a tad darker than the peacock dome mosque so here all I did was slightly augmenting the contrast level.

Sometimes you’re lucky enough not to need any of these 🙂 just because the light is so naturally beautiful and unique (Iran has plenty of these places where light is so mystical you can play with it for hours). So before you start thinking about tapping on the screen of your phone, analyse your surrounding and catch the elements already at your disposal.

Follow the Rule of Thirds

If your subject is a person or more people, have them closer to either side, or along the top or bottom, rather than in the center. This is the rule of thirds, where you basically break an image down into thirds (both horizontally and vertically) so that you have 9 parts.

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The Rule of Thirds

Studies have shown that if you place the subject along the intersection lines rather than the center of the frame – the photo becomes more balanced and will enable a viewer of the image to interact with it more naturally.

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If you divide this photo in 9 squares, my face comes right up to the lower right intersection.

An exception: Faces. Faces can be anywhere in the frame.

Subject / Try different Perspectives

Mix big and small things and create an interesting contrast with different perspectives. For example, put a subject close to the camera and others in the background to create a more spaced composition.

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The Salisbury Cathedral from a dark side.

You can either take a typical frontal photo of the Jame Mosque like this one…

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Or you can be creative by simply changing angle like my friend Marina did with this photo of me under the crystal-turquoise arch and make it sensational.

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Don’t Zoom and Don’t Flash

I learnt using my own flash is a terrible idea, just as bad as zooming.
If you really must use artificial light because you’re either in a dark setting or because you want to give your photo a magazine look, get help from a friend. Ask your friend to point their smartphone flashlight (or a proper flashlight, if available) at the subject from a different angle of yours.

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This photo was an experiment using my friend who was sitting next to me and her iPhone flashlight. The room was already very well lit but her flash allowed me to highlight the food in more detail.

Don’t photograph directly with Instagram

Instagram comes with a preset square mode that will not allow you to crop or give your subject proper focus. It is better that you take your photo with your regular camera vertically (regular full-sized portrait mode). This way you will be able to visualise more and not be limited to format constrictions. You can always edit the photo later, just get the first one properly sized.

Use interesting elements

Be creative and use the elements around you to make a photo interesting. Most of the time it will spontaneous but consider spending some time analysing the surrounding to create an appealing photograph in such way that it almost tells a story on its own.

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My subject was the balcony_restaurant San Fernando, however, what makes this photo attractive are the live musician dedicating their tunes to the restaurant’s clientele.

 

Add a focal point and varied textures

When setting up your photo, ensure you have a subject in the foreground that provides a focal point. Use varied textures that create an interesting contrast.

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A flower I found on Ometepe Island, Nicaragua. Notice the blurred background.

Blend in and Ask for Permission

Before snapping a photo of a local merchant or nomads, always ask. No need to invasively snap a quick shot and run (you probably wouldn’t like it done to you either). If you ask you’d be surprised at how receptive people are to smiling 🙂

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Nomads of Iran. It is a distinct luck to actually find and interact with them

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And last but not least…

Say NO to selfie sticks!

The idea of a selfie is having an impromptu photo of yourself with a background that you like. And as such, it should look like a rustic spontaneous shot. A stick defies this logic because it forces a selfie to look like anything BUT a natural moment.

Not only selfie sticks are very annoying (blocking views, turning a memory trip to a self-aware photo trip) and have a lot of tourist destinations now banned them, but also the angle that the stick creates is unoriginal and fake given the effort of hiding who’s taking the photo.

 

Take normal selfies. Be natural.

 

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Photo of the Day: Stanito in Esfahan

Dear Reader,
One of the best benefits of traveling in company is that casually your travel buddies are excellent photographers. My friend Lichix took this photo of me in Esfahan while visiting the stunning Masjed-e Jameh Mosque, the biggest mosque in Iran and the pioneer of Islamic architecture.

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With this post I’m opening a thread of How-To posts dedicated on how to take beautiful pictures in places where the camera is not very welcome. Stay tuned! 🙂

Stanito and the Guineafowl Puffer fish

Dear Reader,

There are experiences in life which are just wonderful and unique and expressing them with words is not enough 🙂

It all happened on a weekend…

We went diving in a secret location. We were told that the conditions were not ideal, meaning visibility was poor, but that we could still enjoy appreciate the smaller creatures of the oceans. It is true that when visibility is great you tend to focus on big creatures like manta rays, sharks, whales, and what not.

This time, however, surprises came in small size.

No sharks, no nothing big, but this guy was worth the entire experience.

Meet the friendliest guineafowl puffer fish

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Our dive buddy found him, he was slim, once in his hands he puffed up immediately

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Gilles grabs him first before passing him onto me

And then he laid in my hands

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First time I hold one in my hands. He felt soft, slimy, spongy, until I let him go

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Puffy fish swims away

No need for sharks or big buddies. This puffy little guy was worth the trip.

 

Inside Iran, land of contrasts

Dear Reader,

I traveled to Iran because I wanted to see if the conflictive view most people get from the outside is accurate or real. As it pleasantly turned out, in many ways it is not. Iran is a conflicted place, a misunderstood destination, a cradle of culture, a million things all at once. Iran is a country where contrasting understandings of the world live side by side every day and everywhere. One of the countries I longed to visit since infancy happened to be another jewel on the globe’s map and probably the safest country in the region.

Iran is a huge, it occupies1.6m sq. km. even though Mercator’s projection distorts our perception of its vast surface. Its borders reach the same latitude as Athens and the southern boundary falls on the edge of the Tropic of Cancer. It is six times the size of Britain and three times that of France. Iran is really big.

Tehran is the first city I visited and I can heartily say that it is not only the capital of Iran but a capital of contradictions.

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The ever-present Ayatollah image. 

Well, sit down, fasten your seatbelt and enjoy this fantastic journey with me 🙂

We’re landing in Tehran and the first impression I get is ssssilence…
The Imam Khomeini Intl. Airport is the second quietest airport I’ve ever been to, second only to the Pyongyang Sunan Intl. Airport in North Korea. And again, like in Pyongyang, our luggage was already there waiting for us.

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If you come to Iran and Tehran especially, you’ll soon realise that the city poses to you only one danger: traffic.

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Traffic in Tehran is both scary and amusing. Just keep your eyes open and you’ll be fine..

Dear Reader, by traffic I mean every possible vehicle transiting on roads, sidewalks, out of a store and in the middle of the bazaars little alleys.

Tehran is a lively peculiar city. On the one hand Iranians are notorious for their friendliness and hospitality, their unrestrained kindness, their love for culture and luxury, their passion for ornamentation of their art and their sense of amour propre, yet their restrictions and sensitivities are widely displayed.

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From people, to food, to gardens, every corner shows all the polite formality of their language with its inbuilt metaphors and phrases and its simple rules of syntax.

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Here we will see that just as the stylised expressions of the language provide a stable environment where the most within which the most passionate and antithetical emotions are set free, so the enclosed and carefully structured Pardis (the origin of our ‘paradise’), provides a setting in which a wide variety of spiritual and secular activities take place in the same space.

So much to say that every angle deserves an independent article on Travel with Stanito.

So stay tuned, dear Reader, our trip in Iran will be the most pleasant yet shocking surprise for you…