How to take Photos with your Mobile

Dear Reader,

It’s time to learn something new today 🙂
Experience teaches us a lot, especially when we’re on the road. Nothing makes a story more beautiful and interesting than colourful eye-catching photos taken on the go.
Most of us travellers rely on good cameras with settings. However, as we travel and share instant snaps on our blog or social media, we often recur to smartphones. You need to be able to use your smartphone well, especially if you go to places where cameras are either not welcome or you don’t have time to set up your regular camera. Smartphones are more conspicuous and with technology that allow us to do wonderful things.

So here are few tips I learnt myself 🙂

Think Mobile

Before using a picture, look at it on your smartphone and ensure your main subject is clear and any writing, such as a sign, is legible. Keep in mind that most people will check your photos and articles from their phones so make your shots mobile friendly and neat.

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If you’re able to read the 007 commemorative sign then it’s a successful mobile-friendly photo

Keep it Simple

I learnt that my most popular photos are the simplest ones. They don’t have many people in them, multiple props, and complicated staging. The most effective images so far have been those with simple subjects, such as a close-up of a situation, object, person or even buildings.

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Play with Light and Shadow

Both Samsung (S7 series) and iPhones allow you to adjust the lighting by simply tapping on the screen so pay attention to your scene’s lighting. Bright light and deep shadows create a stark contrast that can make your photo more interesting and dramatic.

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Natural light inside the peacock dome
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The Masjed-e Jāmé of Isfahan was a tad darker than the peacock dome mosque so here all I did was slightly augmenting the contrast level.

Sometimes you’re lucky enough not to need any of these 🙂 just because the light is so naturally beautiful and unique (Iran has plenty of these places where light is so mystical you can play with it for hours). So before you start thinking about tapping on the screen of your phone, analyse your surrounding and catch the elements already at your disposal.

Follow the Rule of Thirds

If your subject is a person or more people, have them closer to either side, or along the top or bottom, rather than in the center. This is the rule of thirds, where you basically break an image down into thirds (both horizontally and vertically) so that you have 9 parts.

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The Rule of Thirds

Studies have shown that if you place the subject along the intersection lines rather than the center of the frame – the photo becomes more balanced and will enable a viewer of the image to interact with it more naturally.

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If you divide this photo in 9 squares, my face comes right up to the lower right intersection.

An exception: Faces. Faces can be anywhere in the frame.

Subject / Try different Perspectives

Mix big and small things and create an interesting contrast with different perspectives. For example, put a subject close to the camera and others in the background to create a more spaced composition.

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The Salisbury Cathedral from a dark side.

You can either take a typical frontal photo of the Jame Mosque like this one…

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Or you can be creative by simply changing angle like my friend Marina did with this photo of me under the crystal-turquoise arch and make it sensational.

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Don’t Zoom and Don’t Flash

I learnt using my own flash is a terrible idea, just as bad as zooming.
If you really must use artificial light because you’re either in a dark setting or because you want to give your photo a magazine look, get help from a friend. Ask your friend to point their smartphone flashlight (or a proper flashlight, if available) at the subject from a different angle of yours.

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This photo was an experiment using my friend who was sitting next to me and her iPhone flashlight. The room was already very well lit but her flash allowed me to highlight the food in more detail.

Don’t photograph directly with Instagram

Instagram comes with a preset square mode that will not allow you to crop or give your subject proper focus. It is better that you take your photo with your regular camera vertically (regular full-sized portrait mode). This way you will be able to visualise more and not be limited to format constrictions. You can always edit the photo later, just get the first one properly sized.

Use interesting elements

Be creative and use the elements around you to make a photo interesting. Most of the time it will spontaneous but consider spending some time analysing the surrounding to create an appealing photograph in such way that it almost tells a story on its own.

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My subject was the balcony_restaurant San Fernando, however, what makes this photo attractive are the live musician dedicating their tunes to the restaurant’s clientele.

 

Add a focal point and varied textures

When setting up your photo, ensure you have a subject in the foreground that provides a focal point. Use varied textures that create an interesting contrast.

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A flower I found on Ometepe Island, Nicaragua. Notice the blurred background.

Blend in and Ask for Permission

Before snapping a photo of a local merchant or nomads, always ask. No need to invasively snap a quick shot and run (you probably wouldn’t like it done to you either). If you ask you’d be surprised at how receptive people are to smiling 🙂

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Nomads of Iran. It is a distinct luck to actually find and interact with them

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And last but not least…

Say NO to selfie sticks!

The idea of a selfie is having an impromptu photo of yourself with a background that you like. And as such, it should look like a rustic spontaneous shot. A stick defies this logic because it forces a selfie to look like anything BUT a natural moment.

Not only selfie sticks are very annoying (blocking views, turning a memory trip to a self-aware photo trip) and have a lot of tourist destinations now banned them, but also the angle that the stick creates is unoriginal and fake given the effort of hiding who’s taking the photo.

 

Take normal selfies. Be natural.

 

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Sinking Buildings: a curse or consequence?

Dear Reader,

Mexico City could have an entire collection of strange facts and curiosities. Here is one. Sinking buildings are a curious phenomenon occurring in Mexico City affecting mainly Hispanic churches.

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The Ex Teresa Arte Actual museum is inclined over its right side

The ground is slowly giving up as most of these buildings were erected on an already built up Aztec city.
The Aztec’s legacy people of today dare to suggest the phenomenon to be a silent vengeful curse…

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The leaning Metropolitan Cathedral on the right side.

The city is sinking on a daily basis, so far it has gone down of about 10 metres in the last few decades.

One theory explains that underneath the city is located the aqueduct which sustains the thirst of over 9 million people. As millions of people drink its water, it slowly becomes less sustaintable and more prone to degradation and debilitation of the structure.
Another explanation dates back from the Aztecs and the Spanish arrival: during the Aztec period when the city was known as Tenochtitlan, the town was initially built on a Lake Texcoco by creating islands using dumped soil right into the lagoon. When the Spanish arrived they erected a second city on top of the Aztec ruins after been demolished. A city atop of another, basically.

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Templo Mayor Ruins (Main Temple), or the remains of it.

The base, however, was a lake. Drained and all, but still a lake.

This has caused buildings to lean and sink into the ground at a rate of up to one foot a year in the most extreme places.

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This is the pendulum hanging inside the Matropolitan Cathedral right on main aisle. If you look carefully, the pendulum shows you how the foundations of the cathedral have been shifting since it’s conception.

And last, a balcony that has suffered from unevenness of the ground and shows a wavy effect as a result of the ground’s debilitation.

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Photo of the Day: Stanito in Esfahan

Dear Reader,
One of the best benefits of traveling in company is that casually your travel buddies are excellent photographers. My friend Lichix took this photo of me in Esfahan while visiting the stunning Masjed-e Jameh Mosque, the biggest mosque in Iran and the pioneer of Islamic architecture.

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With this post I’m opening a thread of How-To posts dedicated on how to take beautiful pictures in places where the camera is not very welcome. Stay tuned! 🙂

Did you know…

that Pijama is a Persian word?

Dear Reader,
Discovering origins can really surprise us, just like when the Romans invented the bikini or else they took and made it famous (we Italians are known for taking existing inventions and improve them, like coffee, pizza and pasta, no argument on this 🙂 ). This is another new segment I dedicate to the Persian contribution to modern languages.

Pijama comes from the Persian pai jameh (پايجامه), which means ‘Leg Clothing’.

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A muslim girl wearing a pijama. 1844. (c) Didactalia

Originally only used by men who did not wish to go to bed naked, usually composed by two pieces: a top part and a bottom part, looking very much like loose trousers. Higher ranking men also used a one-piece pai jameh.

It must have been very comfortable and chic. By the 18th century the use of pijamas was already widespread, making the ‘Persian loose pants’ a unique trade mark. It quickly displaced the old fashioned night-garment, a one-piece of heavy wool or velvet that stretched to the feet, prompting the use of linen instead.

Did you know…

Assassin is a Persian word?

Dear Reader,
could you believe that so many words came from old Persian language?

This time I will enlighten you about the word Assassin.
Commonly mistaken as an Arabic word, Assassin as we know it comes from old Persian hashashin (حشاشین), originated in the Alamut region of Iran. It has nothing to do with modern ‘hashish’.
The Assassins were a much-feared fighting group in the late 11th century. But what was their origin? And what did their name mean?

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An assassin was a ‘person who was energised to kill’ on the account of the king.

When a king or high hierarchy old man wished to kill someone, he would enlist a young man and promise him a return to Paradise if he entered his service and followed his instructions or even died in his service. The first man to ever do so was Hassan-i Sabbah, founder of Alamut. He trained men to become highly deathly weapons to use against his enemies. Some modern Muslims believed he would drug these young men in order to subject them, but let’s see what happened…

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If you read Hassan-i’s accounts and the many tales of Marco Polo, you can easily understand that Hashash was not a substance used to drug people. Here is why:

The word hashashin was phonetically very close to the Muslim hash-ishiyun, which means “hashish-smokers”; some scholars thought that this was the origin of the word “assassin”, which later became a terrifying word in most European languages…

However, dear Reader, the truth is quite another. According to texts that have come down to us from Alamut, Hassan-i Sabbah liked to call his disciples Asasiyun, which in Persian means ‘people who are faithful to the Asās’, meaning “foundation” of the faith.

This is the word that so often is misunderstood by many foreign travellers as its sound is so similar to “hashish”, the substance that many people enjoy consuming.

Stanito and the Guineafowl Puffer fish

Dear Reader,

There are experiences in life which are just wonderful and unique and expressing them with words is not enough 🙂

It all happened on a weekend…

We went diving in a secret location. We were told that the conditions were not ideal, meaning visibility was poor, but that we could still enjoy appreciate the smaller creatures of the oceans. It is true that when visibility is great you tend to focus on big creatures like manta rays, sharks, whales, and what not.

This time, however, surprises came in small size.

No sharks, no nothing big, but this guy was worth the entire experience.

Meet the friendliest guineafowl puffer fish

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Our dive buddy found him, he was slim, once in his hands he puffed up immediately

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Gilles grabs him first before passing him onto me

And then he laid in my hands

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First time I hold one in my hands. He felt soft, slimy, spongy, until I let him go

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Puffy fish swims away

No need for sharks or big buddies. This puffy little guy was worth the trip.

 

Did you know…

… Paradise is a Persian word?

Dear Reader,
Paradise is Persian. An old Persian word that comes from an Old Iranian *pardis- “walled enclosure”.
By around the sixth century though, Persians started to associate the idea of Paradise with cooling and refreshing gardens due to the obvious high summer temperatures, so Paradise quickly found a beautiful graphic association.

And truly, Persian gardens are something unique. These are mostly royal parks where rulers (mostly kings and shahs) spent their time escaping hot summer (and Paradise could not be more appropriate due to the intense Iranian summers), entertaining foreign guests or simply spending family time away from political duties.

One of these gardens is the Dolat Abad Garden, located in the city of Yazd.

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In Dolat Abad Garden you can chill out on the grass to enjoy the sun, the breeze, or the ice-cold dry weather of winter, you can sip an Iranian black tea at the local cafe.

Because of the desert predominance in the country, it was vital to find a way to preserve water and create oasis of fresh air. In fact, dear Reader, Iranians (or Persians) are famous for pioneering a number of engineering projects in the world and one of these is precisely the invention of ventilation towers, else known as wind catchers.

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The invention proved to be highly efficient in terms of sustainability and economic costs, so it comes to no surprise that the method was soon adopted and implemented in many other countries in the Middle-East.

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This is the wind tower at Dolat Abad, in Persian is called بادگیر‎‎ bâdgir (bâd “wind” and gir means”catcher”)

Wind towers or wind catchers are traditional Iranian architectural invention built to provide natural ventilation for buildings that are located in dry arid regions. The structure normally looks like the picture above, where the structure conducts the outside air into the building to provide cooling. Wind or no wind, the airflow is generated with the temperature difference between outside and inside the building

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The interior of the pavilion is superb, with intricate latticework and exquisite stained-glass windows.

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Vitró window
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This is the tallest badgir of the Dolat Abad garden